Edvard Munch: The Modern Eye is proving very popular, so here are the easiest ways to see the exhibition:
• Become a Tate Member and avoid the ticket queues. Members do not need to book timed tickets. Show your members card at the exhibition entrance.
• Book more than 3 days in advance and we will post tickets to you
• Book online between 4 hours and 3 days in advance of visiting and pick your tickets up in the gallery. Tickets booked via telephone must be done so at least 24 hours in advance.
• Buy tickets from 10.00 on the day in the gallery. There may be queues at times. We advise booking in advance to avoid disappointment.
Few other modern artists are better known and yet less understood than Norwegian painter Edvard Munch (1863–1944). This exhibition examines the artists work from the 20th century, including sixty paintings, many from the Munch Museum in Oslo, with a rare showing of his work in film and photography.
Munch is often seen as a 19th-century Symbolist painter but this exhibition shows how he engaged with modernity and was inspired by the everyday life outside of his studio such as street scenes and incidents reported in the media – including The House is Burning 1925–7, a sensational view of a real life event with people fleeing the scene of a burning building.
The show also examines how Munch often repeated a single motif over a long period of time in order to re-work it, as can be seen in the different versions of his most celebrated works, such as The Sick Child 1885–1927 and Girls on the Bridge 1902–27.
Munchs use of prominent foregrounds and strong diagonals reference the technological developments in cinema and photography at the time. Creating the illusion of figures moving towards the spectator, this visual trick can be seen in many of Munchs most innovative works such as Workers on their Way Home 1913–14. He was also keenly aware of the visual effects brought on by the introduction of electric lighting on theatre stages and used this to create striking effect in works such as The Artist and his Model 1919–21.
Like other painters such as Bonnard and Vuillard, Munch adopted photography in the early years of the 20th century and largely focused on self-portraits, which he obsessively repeated. In the 1930s he developed an eye disease and made poignant works which charted the effects of his degenerating sight.
So you think you know Edvard Munch? Think again.
★★★★ The Telegraph
★★★★ The Independent
★★★★ Time Out
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