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Can I welcome you all here this evening. I would
particularly like to welcome George Cox, the new chairman of the Design
Council, who will help steer the Council through the next phase of its
evolution. A period that will see the delivery of an exciting new
programme of work, driving forward key elements of the DTI’s own
Innovation Strategy.
We are also here tonight to thank Sir
Christopher Frayling for helping to champion the Design Council as its
Chairman over the last five years. He has stepped down to take over as
Chairman of the Arts Council - their gain is our loss.
The UK is facing huge competition in business
and intense pressure to deliver quality public services that meet
people’s needs and expectations in the 21st Century. Our national
performance and prosperity will increasingly depend on the creativity
and inventiveness of our people to deliver on these. Design is a
catalyst that will enable the UK to deliver.
Take the Apple IPOD. The technology for its
development largely already existed. What made it such an iconic example
of successful innovation was its design by the British designer,
Jonathan Ives. Through understanding and meeting people’s needs and
expectations, Jonathan delivered a highly desirable product, which was
also a system – iTunes - and a service - iTunes Music Store. The result
is transforming the global music jukebox market and looks like being a
great commercial success story.
Only organisations that think about their
customers in this way can expect to succeed in the future. This view is
reinforced by a recent study which revealed that the share price of
companies that used design well outperformed the FTSE 100 by 200% over
the last ten years.
Design also has a powerful role to play in
transforming the public sector. The libraries in the London borough of
Tower Hamlets were transformed when they were redesigned as a new
service, called Idea Store. As with the IPOD, the designers, Bisset
Adams, went way beyond aesthetics. They used design to help
revolutionise the service and reconnect it to the public. The result is
the creation of a series of bright, new buildings in local shopping
areas, combining lifelong learning and cultural attractions with all the
services normally associated with libraries. The Idea Store service has
resulted in a three-fold increase in visitors compared to the two
libraries it replaced.
However, although the best are using design
well, they are in the minority.
Not enough businesses use design to connect new
ideas with market opportunities and a lack of design ingenuity usually
indicates static or poor overall business performance. Research
indicates that 90% of rapidly growing companies think design is integral
or significant, compared to just 26% of static businesses.
Design can facilitate the transfer and
commercialisation of new technologies. But it is rarely used as a
transfer tool by universities or used effectively or at all by
early-stage technology ventures. In addition, engineering, science and
MBA graduates – tomorrow’s managers - have little understanding of the
business relevance of design.
As we have all no doubt experienced firsthand,
there is also considerable room for improvement in the use of design
within public services.
So our challenge is to exploit fully the design
excellence that exists on our doorstep through policies that bring about
changes in the behaviours of UK management in both the private and
public sectors.
Nationally, the Design Council is the catalyst
for the delivery of this understanding of the value of design and how to
use design in practice. Under the Stewardship of Sir Christopher
Frayling, the Design Council has delivered significant successes.
As a leading figure from world of design
education, Sir Christopher Frayling brought deep knowledge of design and
popular culture - and the ability to communicate and inspire others
about the potential of design.
The emphasis throughout his chairmanship was on
communicating the benefits of design through programmes such as the
Great Expectations international exhibitions, Design in Business Week,
Designers into Schools week and so on. During this period, he has also
overseen the transformation of the Design Council into one that has a
clear campaigning role, matched by an ambitious new corporate strategy.
The new Corporate Strategy builds on successful
projects to deliver a series of national design campaigns to help
transform several sectors of the economy.
The results from the Design Council’s pilot
projects, mentoring a small number of UK companies to use design more
effectively, demonstrates the potential. For every pound invested by the
Design Council, company sales have increased by £14. The challenge now
is to further develop this support so that it can be delivered through
regional and sectoral partners, such as the Manufacturing Advisory
Service.
Design in education is also a priority. For most
UK businesses, deciding when and how to use design is a decision that is
rarely taken by a designer. This decision is usually made by managers,
engineers and scientists, very few of whom will have had any formal
training around design or managing the design process. So I support the
Design Skills campaign, which this year will be working with 10
university Science and Enterprise Centres and will be running a
post-graduate design placement scheme in manufacturing and technology
companies. Again the challenge here is to find ways of ensuring that
such provision, where needed, is available nation-wide.
Where as the two previous Chairmen of the Design
Council, John Sorrell and Sir Christopher, were leading figures from the
world of design, George Cox brings a different perspective as a leading
figure from world of business. George started his professional life as
an aeronautical engineer and spent two years as a factory manager in his
late twenties. He then went on to become an entrepreneur who formed the
highly-regarded IT consulting and research company, Butler Cox and was
also formerly Managing Director and Chairman of Unisys. Most of you will
also know him as the Director General of the Institute of Directors, a
position he held until earlier this year.
George – I’m delighted to formally welcome you
as Chair of the Design Council. From my perspective, your job is to
build on what has been achieved and take forward the new corporate
strategy.
The Design Council is ready to take its campaign
themes beyond the pilot phase – now you have to help them drive their
delivery nationwide. In the DTI we look forward to working with you to
achieve our joint goals.
Christopher, thank-you for all you have done and
for passing on to George such a great organisation. In the DTI we now
see innovation as a key part of our mission, and the Design Council as
playing a major role in our plans. You have handed over to your
successor an organisation which is well positioned to deliver what we
want, and I think you can be extremely proud of what you have achieved.
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