Vann 100th anniversary conference
Posted on Jul 30th in A place to live
We’ve just celebrated the 100th anniversary of Vann with an SPAB/Plumbers conference.
WD Caroe moved to Vann in July 1908
We heard the history of Vann (also called Fen, Fanny or even Ffanny, meaning a wet and boggy place), and about WD Caroe and the Arts & Crafts movement, with which his relatioship s sometimes questioned.
We heard about William Morris’ 1850 Red House by Webb and his principles of healthy happy living surrounded by beauty and functional objects in a socialist society, and Morris’ 1890 “News from nowhere” novel. We heard about Pugin’s “Contrasts”, his desire for truth in architecture and preference for the gothic over the classical, and about Ruskin’s “nature of gothic” essay on the moral elements of gothic which included as I recall naturalism, changefulness, grotesqueness, rigidity, propriety, redundacy. That list is not quite complete and I will update.
Morris’ “Red House”
In Vann, we heard, changefulness abounds. Every aspect has a different appearance, yet there’s harmony. There’s a wealth of different materials - Bargate stone, bricks tiles, wooden shingles, half timbering with nogging (did I get that right for diagonal bricks?). There’s an organic appearance with local materials that blend with the colourscheme of the landscape.
A&C values require materials that show truth to construction.
WD Caroe did not describe himself as A&C, or subscribe to any set of rules but his own - hence the integrity of his oeuvre, also that fact that it defies classification. He did use prefabricated components eg the Kulm partitions; these would be anathema to A&C theorists - craftsman deprived of joy of seeing their work in final context. But the practicality of Caroe’s A&C interpretationmeant faster work of high quality and a steadier stream of commissions. He would treat each case on its merits, with practicality & imagination.
Perhaps we have a modest, puritanical, pedantic image of the “ideal” A&C practitioner. This does not fit WDC who was a demanding, workaholic successful businessman while other A&C pratitioners were a bit dreamy and inept. WD (who added the extra middle initial when water closets became popular) was a Tory, into classical as well as Gothic, and he worked well past WWI. In all these respects, Rosie argui he was atypical of the A&C. The verdict was that WD Caroe’s A&C style buildings were fine & true examples of A&C work. He deviated for sound practical reasons, as did others deemed to be central to the movement.
Things I need to check out:
William Robinson and his book “the Wild Garden” (Irishman with an anti-glasshouse vibe)
Gertrude Jekyll paintings in the Surrey history centre, Woking
Compton pottery works: Mary Watts/GF Watts - the Jekyll pot, also chapel, cemetary, gallery also. Closing after next few weeks for restoration (Update: I checked it out. The Chapel is marvellous, designed by local artist Mary Watts and decorated by 70 local villagers)
Compton chapel
Gravetye Manor retaurant with kitchen Garden, not far from E Grinstead
Hestercombe Devon
Hatchlands - C18th hot/dry late summer garden ,redesigned to a May/June garden which doesnt work
Philips memorial in Godalming (to radio operator from Titanic)
Munstead Wood yellow book - but all other houses sold off
St Hugh’s church Charterhouse, Somerset - gesamtkunstwerk
WDC’s house in Cyprus
